Many customers ask why we insist on using classical, jazz and other acoustic music as the ultimate measure and development tool in our evolutionary process? Well, we do listen to all types of music but classical music has a combination of qualities it’s very hard to find elsewhere. Classical recordings capture not just the subtleties in a player’s performance, the way they place, space and shape notes, stretch phrases or alter their pace through them, their whole range of musical expression, but also the relationship between musicians and instruments captured in a single space. That performance embodies timbre and harmonics, dynamic shadings, musical give and take, complexities of rhythm and timing. It’s the sum of not only the instruments but the people playing them, their physical energy and the human links between them.
Classical music can comprise a single instrument or voice, or hundreds, playing all at once. Within classical music we can find the subtlest nuance or the greatest dynamic swing, the most delicate moment or shattering impact. This combination of the small and the large, the instrumental and the human, the spatial and the harmonic presents any system and any cable with its sternest test. Many cables can sound fine on heavily mixed and produced pop and rock music, with its heavy, synthesised bass and multi-track mixes, but fail to communicate the complex patterns and interactions of an acoustic band. Yet a cable that can capture the life, energy and emotional charge in an acoustic performance – that cable will play anything.
Brandt Audio hand-builds a single, extended family of audio cables – our Concerto series. Every cable shares the same conductors, and construction and every cable uses organic insulators, chosen to match their specific function. Our cables are low mass, low capacitance and low(physical) volume – a combination that adds up to extremely low-loss designs.
The absence of shielding, fillers, dielectric absorption or mechanical damping means the preservation of low-level detail and energy, no compression or rounding of dynamic peaks. They are, in every sense, a light-touch solution that passes the fragile audio signal between your components with the minimum intrusion or influence. How do they sound? We work very hard to ensure that they barely ‘sound’ at all, leaving the recording and the music free to speak for itself.
1/ Concerto Interconnect (RCA) : Twisted pairs of 17 litz wires silk insulated, 22 AWG, cotton sheath, KLEI RCA.
2/ Concerto Interconnect (XLR) : Twisted pairs of 17 litz wires silk insulated, 22 AWG, cotton sheath, Cardas XLR.
3/ Concerto Speaker Cable (SPKR) : Twisted pairs of 21 litz wires silk insulated, 14 AWG, BRANDT-AUDIO 5μ gold plated bananas, cotton sheath. (Option 5μ gold plated forks).
4/ Concerto Bi-Wire Jumpers (JMPR) : forks to bananas.
5/ Concerto 3.6 AC Power Cable : Twisted pairs of 42 litz wires silk insulated, 12 AWG, US, EU, 15 and 20 amp IEC, cotton sheath.
6/ Concerto 1.8 AC Power Cable : Twisted pairs of 21 litz wires silk insulated, 14 AWG, US, EU, 15 and 20 amp IEC, cotton sheath.
7/ Tempo Digital BNC : Clock Rhodium no nickel BNC, 80 cm, 12 litz wires silk insulated, AWG 42, fully shelted.
8/ Tempo Digital RCA : s/pdif KLEI RCA , under 120 cm, 12 litz wires silk insulated, AWG 42, cotton sheath, not shelted.
9/ Tempo Digital USB : under 120 cm, 12 litz wires silk insulated, AWG 42, cotton sheath, not shelted.
10/ Concerto Grosso Speaker Cable (SPKR) : Twisted pairs of 37 litz wires silk insulated, 16 AWG, BRANDT-AUDIO 5μ gold plated bananas, linen sheath (Option 5μ gold plated forks).
11/ Concerto Grosso Bi-Wire Jumpers (JMPR) : forks to bananas.
12/ Symphony Speaker Cable (SPKR) : Twisted pairs of 21 litz wires silk insulated, 14 AWG, BRANDT-AUDIO 5μ gold plated bananas, linen sheath (Option 5μ gold plated forks).
13/ Symphony Bi-Wire Jumpers (JMPR) : forks to bananas.
When we describe our cable range as a family, we really do mean it. Our low-loss approach to signal transfer means that the best way to hear Brandt Audio cables is to use them right through your system. But we understand that often, switching cables in a system is an operation that necessarily proceeds by stages. We strongly recommend hearing what a complete set of Brandt Audio cables can do for your system, even if you can’t change every cable at once. If you have to make the change, one cable at a time, where should you start? The answer is simple: at the beginning!
Once the signal has passed through a lossy cable or one with a distinctive character, the damage done cannot be recovered. So, start by inserting the Brandt Audio cables on your source components and work through the system until you reach the speakers. The same is true for power cords: start with the one that comes from the wall to your distribution block and then cable the components in turn, from the front of the system.
The extreme flexibility and lack of shielding in the Brandt Audio cables makes dressing your cables easy but also important: